![]() ![]() Rotated letters march to a different drummer, creating a more design that’s more fun and alive. Very bold rounded fonts can visually similar to bubble fonts. Bold font weights emphasize rounded stems because they’re thicker and more present. Try setting your text in another case-all lowercase comes across as even friendlier, and uppercase letters will be more traditional but a bit louder in style. Set your logo or text elements in different colors to make your designs more fun. Select a color palette for your design that supports what you’re trying to communicate in your design, e.g., for “funny,” pick a bright yellow or green for “lovable,” select a deep pink. How to enhance the nature of rounded fonts Using a color palette with opposite traits:Ī muted or darker color palette, e.g., a light brown with a deep blue, will bring an aspect of sophistication and slowness into your design. However, for long-form body copy, having a straight (not rounded) letter stem, and even serifs (little letter feet that function as a visual extension of stems on the baseline), helps the eye find the next word faster, making it easier to read text. Rounded fonts are best for logos, headlines, poster typography, and pull quotes aiming to stand out. Counterbalancing rounded fonts in design 1. Bauhaus Bau skips terminals in many letters, making it a clean typeface for logotype that aims to communicate simplicity, approachability, and a little bit of retro. This style is based on the Bauhaus movement from the 1920s, characterized by clean lines and simple, functional shapes with little decoration. These aspects are supported with brand colors-a lime green for Crocs and an orange & pink for Dunkin’.Īnother common logo style based on circle-based fonts that give a wordmark a rounded feel is a modular typeface like Bauhaus Bau. The Crocs brand is spelled in all lowercase, and the Dunkin’ Donuts brand is spelled in all uppercase in its wordmark. Goji has stylistic sets-unique letter designs a designer can swap out with a design program such as Illustrator and Indesign.įamous logos based on rounded fonts are the Crocs and Dunkin’ Donuts logos. A slightly more geometric version of this free font is Bauhaus Goji. Arial Rounded is a system font on many computers and can be accessed and used for free. For example, a popular rounded typeface is Arial Rounded, a version of Arial with round strokes. Rounded fonts are often friendly in style. Traits of rounded fonts and what they express Chez (not serif but similar feel when bold due to high contrast).Bauhaus Soft, serif font with rounded i-dots.Apex, pointy font with i’s that have rounded dots.Bauhaus Bau, letters A, M, and W are rounded.Most typefaces feature a round O letter but some are more circular than others: Vole, sans-serif typeface with rounded counters.Bauhaus Bau, Bauhaus-style font (and also round lowercase a).Sometimes, we look for fonts that remain their overall characteristics but have one or two unique features that make that typeface appear to be different. ![]() ![]() But fonts whose overall shape is circle-based are also considered “rounded fonts.” Many rounded fonts are monolinear (same stroke width) with little contrast (same thickness), such as Goji, Bau, and Lace, but this collection also features rounded fonts with contrast, such as Soft and Chez. Sharp Sans Display is edgy and provocative, while the new Sharp Sans finds grace and utility in its perfectionism.Rounded fonts are typeface designs with fully or partially rounded stems and terminals. While the original Display versions complement the new Sharp Sans beautifully when used in tandem, the choice to use one or the other at an appropriately large point size is a stylistic decision, as well as a practical one. Sharp Sans is not a text face it is a one-size-fits-all use-it-for-everything face. Although the new naming convention of the Sharp Sans series would suggest a hierarchy of optical size (Sharp Sans and Sharp Sans Display No.1 & 2), their relationship is more complex than the traditional text and display relationship. There is a stylistic differentiation between the two display cuts of the family, Sharp Sans Display No.1 & Sharp Sans Display No.2, and an optical size differentiation between the display cuts and the latest edition, called Sharp Sans. Eventually you have to find your own typographic vocabulary. Script, handwritten and display fonts mostly work for short and large applications, and are more striking and thematic. Sans is perceived more modern, serif more traditional, slab serif can be both. While most superfamilies are organized by a single differentiating principal between optical size (text, display, etc.), or style (serif, sans, slab, etc.), each family in the Sharp Sans series contain elements of both. Sans-serif, serif and slab serif typeface can work for all sorts of text. The Sharp Sans series is divided into three parts, Sharp Sans, Sharp Sans Display No.1, and Sharp Sans Display No.2. ![]()
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